Never Stop Reaching For The Stars

Gathering stars around Dom Pérignon was the idea for the European launch on Oct 6 of our new campaign: Never Stop Reaching For The Stars. Such a star-studded event found a perfect setting with the Paris Observatory—the former Royal Observatory created by Louis the Sun King a few years before Dom Pérignon took up his duties as the cellarer of the Abbey of Hautvillers.

Guests at Paris Observatory - Oct 6 dinner

I selected five stars in the world of French Gastronomy to create a dinner for 100 guests, proposing one dish alongside every single vintage featured in the new campaign of Dom Pérignon: 1962, 1976, 1996 with the addition of the current vintage of 2002. Jean-François Piège, contributing an homage to the 60s and the Nouvelle Cuisine of the 70s; Bernard Antony, master cheese maker and affineur; Christophe Michalak, winner of the World Pastry Cup in 2005, with a futuristic dessert; Christophe Vasseur, baker extraordinaire and his Pain des Amis; and finally Gérard Basset MW, the World’s Best Sommelier 2010.

Menu - Oct 6 dinner at Paris Observatory

Bernard Antony - Gérard Basset - Christophe Vasseur - Myself, surrounded by Marie Soria and Jean-Pierre Biffi (Potel & Chabot) - Jean-François Piège - Christophe Michalak - Daniel Lalonde (Dom Pérignon CEO)

Harvest, Take 3

Vineyards after the harvestThe harvest ended more than one week ago: I wish we could rest and enjoy the current Indian summer but there is still a lot of work to be done. Bringing the crop in is a real achievement in itself, but the winemaking part is still in progress and will require considerable efforts before we can finally relax. The base wines will not be finished and ready for tasting before early November.

The harvest itself went reasonably well. As I mentioned before, the maturity of the grapes has reached very satisfying, largely above average levels, a relative surprise given the weather conditions over the summer. Chardonnays were healthy and the botrytis in the Pinot Noirs was to a large extent a non-issue—we only had to pay attention at the time of picking. However the very last days of the harvest were quite rainy and it was really time to finish. This harvest leaves us all with the great feeling of having done our utmost: good things should come out of it, but it is hard to say more right now. As usual, patience is key.

Plénitudes

Following my invitation as a guest on the Wine Berserkers forum, here is the second question I selected, asked by Alan Weinberg:

How much age do you like to see on a bottle of Dom Pérignon before you drink it–peak or ideal is what I’m looking for. And what are your favorite vintages–any century? What are the next vintages planned–after 02?

Regarding the first question, it of course depends on whether we are considering the bottle before or after disgorgement.

After disgorgement, we do the utmost so that Dom Pérignon can be enjoyed right after release, not only defining carefully the timing of disgorgement but also waiting for at least another 6 months before releasing the bottles. From that point onward the wine will keep developing gracefully for at least 20 years, if not more. As for myself, I particularly enjoy Dom Pérignon 3 to 5 years after disgorgement.

If we now consider the wine on its lees (therefore while still undergoing yeast maturation, also called autolysis), I can see 3 windows of opportunity, or plénitudes: the first one 8 years after the vintage (which is when Dom Pérignon Vintage is released); followed by a second plénitude between 12 and 15 years after the vintage (which is the first Œnothèque release); and finally a third plénitude 30-40 years after the vintage (which leads to a second Œnothèque release, for example 1969 or 1971 right now). After this point I would say that the wines evolve only extremely slowly, with a steadier development curve.

Regarding the second question, I could answer it in two different ways. Either by mentioning the most recognized vintages, based on pedigree (e.g. 1921, 34, 47, 55, 59, all our vintages in the 60s, 73, 75, 76, 82, 85, 90, 96, 02). Or by considering the attachment I have for certain vintages, which is of a more intimate nature, typically due to the challenge they created: some of the time in the vineyard like 1969 (strict sorting of the grapes to a satisfactory quality) or 1980 (with very late borderline harvest); or in the cellar such as 1988 (as sharp as a razor blade, with the risk of being hollow on the midpalate—fortunately we managed to avoid that…) or 1996 (we had to master the impetuous and provocative character of the vintage, including the necessity to resist the temptation to incorporate some oxidative, forward developing Pinot Noir elements despite their charming nature).

Coming to the last question, all I can say is that the 2000s were an exciting decade, very generous with all the regions of France. On a purely technical basis we could have declared all the vintages except 2001. However we chose not to, but you will have to be patient to discover our decisions!

(You can find all the questions and answers on the special archive forum on Wine Berserkers.)

Harvest by Mi-Hyun Kim

Mi-Hyun Kim was born in Seoul, South Korea, and has been living in Paris, France for the last twenty-five years. Conciliating two continents while remaining mindful of what separates them, Mi-Hyun Kim operates on the threshold. A space in which she confronts her artistic challenge.

Grape-pickers lost in a sea of vines

I wanted to show the small size of the grape-pickers in the vineyards, seemingly lost in a sea of vines. It is hard to imagine how they managed to harvest everything! –Mi-Hyun Kim

Perfectionism

I particularly like this picture because it represents for me the perfectionism and dedication shown by the grape-pickers. They are so focused on their task, so intent on not forgetting any grapes, that they might actually go for the same cluster as one of their team-mates! –Mi-Hyun Kim

Silhouettes

I like the theatrical ambiance in this picture, with the silhouettes of grape-pickers like Chinese shadow-puppets (as they say in France) against the background of a wall of mist looking ready to sweep over the vineyards. –Mi-Hyun Kim