Archive for the ‘Behind The Scenes’ Category

Dom Pérignon Vintage 2003

Dom Pérignon is, and has always been, exclusively a vintage wine. I could be content with simply letting the vintage express its characteristics through the wine; however, in a constant effort to push the envelope, it is crucial to go one step further: we embrace the vintage and confront it to the singularity of Dom Pérignon in an act of creation.

The growing season shapes a vintage, but rarely as much as in 2003. The spring began with a deceptively mild weather which was not to last: freezing temperatures and hailstorms in early April culminated in a devastating frost on April 11, which nipped most of the Chardonnay vines in the Côte des Blancs, and destroyed up to three-fourth of its potential harvest.

What would already have made for an eventful year was only the beginning, though: over the summer, the most intense heatwave in 53 years lead to the earliest harvest since 1822. Fortunately enough, the grapes were perfectly ripe and in exceptional sanitary condition. Overall, the contrasting weather conditions contributed to an extraordinary richness and concentration.

The features of a vintage gifted with such a personality as 2003 will inevitably make their way into the wine, as they should. Actually, such an extreme vintage can sometimes even be considered too forceful. This is exactly where my challenge lies: finding the perfect balance between the expression of the vintage and the singularity of Dom Pérignon, turning a contrast into a resonance. In this specific case, the richness and intensity of the vintage responds to the usual vibrancy and tactile presence of Dom Pérignon. In my tasting notes, desciptors such as spices, candied fruits or licorice, although not altogether foreign to Dom Pérignon, convey the uniqueness of the vintage; whereas Dom Pérignon asserts itself through briny, smoky notes on the nose, and its signature minerality on the palate.

Finally, as the year 2003 was unfolding, the challenge awaiting me became clearer and I sought the inspiration of older vintages in our Oenothèque: 1947, 1959 or 1976. All these great wines from solar vintages had easily managed to weather the decades, as they all seemed so fresh and alluring. The acidity level was a riddle in itself, but the key was to focus on freshness, which could be reached through minerality as well as vibrancy of the fruitiness. I’m convinced that the intensity coupled with such a precise, chiselled phenolic structure will confer to Dom Pérignon Vintage 2003 the stability through time I desired.

My greatest hope is that, in the history of Champagne, Dom Pérignon can endure as the greatest tribute to the 2003 vintage.

The Next Challenge

From 2003 to 2011, from one challenge to the next: this is exactly how I felt as I came back to Hautvillers to create the assemblage for 2011. The 2003 Dom Pérignon declaration has brought back memories of one of the most challenging vintages ever, which turned out to be extremely inspiring and motivating. And I am proud to say that as far as 2003 Dom Pérignon is concerned, the reward is commensurate with the risk! Although 2011 has little in common with 2003, they provoke the same sensation in me: years of extremes, with an unusual climate and a strong character.

2011 was definitely atypical, with a rare phenomenon of inverted seasons: incredibly warm and dry weather before flowering, which hinted at an early harvest; followed by cooler temperatures and beneficial soft rains over the summer. The grape maturation cycle, which generally lasts until September, was confined fully to the month of August and its typical alternance of heat and thunderstorms. In the end we decided to harvest a bit later than planned (but still earlier than usual) and in several phases to reach perfect maturity and sanitary conditions across the vineyards. Tough decisions had to be made as the harvest progressed, calling on our teams’ flexibility and adaptability, such as the need to postpone the harvest by a full week for most of the Chardonnay Grand Cru vineyards of the Côte de Blancs. Our efforts to create new markers and indicators of maturity found their full significance during this unconventional harvest. It is worth noting that no harvest took place in August between 1822 and 2003, but this circumstance presented itself three times (2003, 2007 and 2011) in the last ten years: all the experience accumulated with these specific conditions during recent vintages will certainly end up being very useful in the near future.

Picking the best possible grapes is obviously only one step in a lengthy journey to create the best champagne I can. I am focusing right now on blending the various components of 2011, trying to reach the perfect balance. Only when the final assemblage has been achieved can we move on to the decision of declaring the vintage or not. The aim is the same as ever: letting the personality of the vintage shine while staying true to the legacy and style of Dom Pérignon.

Early look at 2010

Hautvilliers Abbey under the snow - Richard Geoffroy

We have been tasting the 2010 base wines no fewer than three times in the past couple of months. It only confirms the first impressions we had at the end of the harvest. My feeling at this stage is that the 2010 vintage does not deserve the lukewarm comments by some. The Chardonnays have developed brilliantly, sometimes on the verge of over-ripeness (reminiscent in this of 2002) with a rich mouthfeel and a striking fruitiness. However Dom Pérignon is always an assemblage, and the other side of the picture is just as critical: the Pinot Noirs were carefully and properly sorted at the time of picking. They all display good structure and presence, but are maybe lacking a bit in freshness and vibrancy. It will be interesting to see how these Pinots evolve until we prepare the final assemblage in the early Spring of 2011. We will only then make up our mind: to declare or not to declare.

Harvest by Mi-Hyun Kim

Mi-Hyun Kim was born in Seoul, South Korea, and has been living in Paris, France for the last twenty-five years. Conciliating two continents while remaining mindful of what separates them, Mi-Hyun Kim operates on the threshold. A space in which she confronts her artistic challenge.

Grape-pickers lost in a sea of vines

I wanted to show the small size of the grape-pickers in the vineyards, seemingly lost in a sea of vines. It is hard to imagine how they managed to harvest everything! –Mi-Hyun Kim

Perfectionism

I particularly like this picture because it represents for me the perfectionism and dedication shown by the grape-pickers. They are so focused on their task, so intent on not forgetting any grapes, that they might actually go for the same cluster as one of their team-mates! –Mi-Hyun Kim

Silhouettes

I like the theatrical ambiance in this picture, with the silhouettes of grape-pickers like Chinese shadow-puppets (as they say in France) against the background of a wall of mist looking ready to sweep over the vineyards. –Mi-Hyun Kim